The Story of William Spratling and the Mexican Silver splendor Of the 20th Century.

William Spratling

William Spratling (September 22, 1900 - August 7, 1967) was an American-born silversmith and artist, best known for his influence on 20th century Mexican silver design.
Spratling was born in 1900 in Sonyea, Livingston County, New York, the son of epileptologist William P. Spratling. After the deaths of Spratling's mother and sister, he moved to his father's boyhood home outside of Auburn, Alabama. Spratling graduated from Auburn High School and Auburn University, where he majored in architecture. Upon graduation, Spratling took a position as an instructor in the architecture department at Auburn, and in 1921 he was offered a similar position at Tulane University in New Orleans, Louisiana.

While teaching at Tulane, Spratling shared a house with writer William Faulkner, and they collaborated to produce Sherwood Anderson And Other Famous Creoles, a satire of the bohemian atmosphere of the French Quarter in the 1920s.
In 1929, Spratling, inspired by several summer visits, moved to Mexico, where he quickly integrated himself into the Mexican art scene. He became a friend and a strong proponent of the work of muralist Diego Rivera, for whom he organized an exhibition at the Metropolitan Museum of Art in New York. Using money received from commissions he organized for Rivera, Spratling purchased a home in Taxco, southwest of Mexico City.

Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. As the reputation for Spratling's silver designs grew, he expanded his operation, and began an apprenticeship program for others interested in designing in silver, many of whom continued to work in the Taxco area--with Spratling's support--once their apprenticeship was over.

By the 1940s, Spratling was selling his designs throughout Mexico and the United States, and moved his design studio to a ranch south of Taxco at Taxco el Viejo. In 1949, the United States Department of the Interior started an exchange program between Spratling's design studio and seven Alaskan students in order to start a similar workshop in Alaska. While the Alaskan workshop never came to fruition, Alaskan design motifs began to influence Spratling's subsequent work.

Primarily, Spratling's silver designs drew upon aboriginal Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver".

The Artesanas Spratling Renaissance project

The legacy of William Spratling of the 1930s and 1940s is the powerful motivator of a collaboration between the last of the generation of Taxco master silversmiths and the rural women artisans of Tecalpulco,
an artisan village in the Municipality of Taxco de Alarcón, Guerrero.
And the one of the last direct silversmiths of William spratling ifself,
Don Marcial Chavez Embríz, holds a legacy on the art of silver making being the original master molder maker for Spratling, on his famous delicias shop.
Don Marcial takes as apprentice our sisters Raquel Perez and Maria Nievez perez, being this an important mission as our classical silversmithing of Taxco has been disappearing in recent decades as the Taxco silversmiths have been forced to work cheaper and cheaper: thus the historical, cultural economic importance of the alliance of the rural Tecalpulco womens' artisans cooperative and a master original model maker .

You can see all the picture documentary at this link, including the master peace replicas of Williams original prehispanic designs.
http://ethical-fair-trade-jewelry.org/spratling/Renaissance/index.htm

and we have some traditional Mexican songs in honor of William Spratling, we translate them so you can have a glimpse of this beautiful art poetry music of traditional Mexico.
http://artcamp.com.mx/Musica/CuerdasdeTaxco/10_guillermo_spratling.htm